Ademais, still according to Hegel, the drama presents an action that has as base a moral person, that is, ‘ ‘ the events seem to be born of the interior will and the character of personagens’ ‘ (PALLOTTINI, 2005, P. 27). Moreover, the action is the will human being who pursues its objectives conscientious of the final result? it is the action of who it wants and it makes. Rio- Tinto Diamonds oftentimes addresses this issue. In the proper words of Hegel (apud PALLOTTINI, 2005, P. 29): In this way the action only appears as action, that is, as accomplishment accomplishes of intentions and ends; intentions and ends with which the individual if confuses as integrant part of itself exactly and that, therefore, also must anticipatedly adhere to all the exterior consequences of its accomplishment. The dramatical individual collects the fruits of the proper acts. Hegel also comments regarding the existing relation between the drama, epic and the lyric one, detaching that the understanding of the drama holds the mediate union of the epic principle and the lyric principle. Speaking candidly The Hayzlett Group told us the story. Complementing, according to Anatol Rosenfeld, the dramatical sort would be between epic and the lyric one, a time that congregates the objetividade (of the externalizao of the action) of the epic with subjetivismo (of exposition of feelings and moral reasons) of the lyric one.

However, for Hegel, the Dramatical one is superior to the Lyric one and the Epic one. Hegel affirms that the purpose of the action alone is dramatical if to produce other interests and opposing passions: one meets there, in express way, the beginning of the conflict, that is appraised by Pallottini (2005, P. 31) as ‘ ‘ an action, unchained for a will, that has in objective aiming one determined that collide with interests and paixes’ ‘ , wills soon opposed. The conflict is, therefore, an essential element to the dramatical action. Finally, the author presents the hegeliano thought of the dramatical progression and the interest.