Such occupation occurred with priority in function of the economic factor, many workers needed to inhabit close to its jobs, in view of the locomotion difficulty, after all the main one half of transport still was the electric tram, that arrived to reach the maximum speed of 20Km/hora, in the case of longer passages the tram took hours. In relation to the Carioca urban expansion, with respect to decade of 1930, it has detached the known region as the Plaza of well and badly frequentado, the Plaza of the Estcio according to Francisco Duarte (1979) in interview to the Periodical of Brazil, said: Point of meeting, of noitadas of samba of break-high, violo, plate-and-knife, palm-of-hand and much improvised cantoria, fight and creation of sambas, in accordance with many sambistas, the soul of the Carioca samba was born in the Estcio, still in same interview, according to DUARTE (1979): There, between 1923 and 1930 – the journalist buys at auction enters the Plaza of the Estcio and the ascent of the Mount of Is Carlos, in the esquinas of the Streets Coelho Axe and Estcio de S, in the Alley D. Paulina, ascent of the Mayan Street of Lacerda or descending of the Frank Pear tree route to the zone of the prostitution, was born the Carioca samba, the urban samba that today we know (DUARTE, 1979) the evolution of the samba, according to many sambistas, happened in the quarter of the Estcio, it (the samba) left of being agricultural and passed if to make familiar to the scene> after all intellectual is not alone that one who write books, paint gorgeous pictures or make poems, we are speaking of all and any individual capable to create an extremely fruitful workmanship, resulting in inestimable legacy as for the national sphere. Although inflamed speeches capsize tona, throughout the problematizao of the present work, the objective of the same is to show> Fiquei liveing in one marries of cmodos of the Mayan Street Lacerda, where it was the first headquarters of Deixa To speak.